<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
		>
<channel>
	<title>Comments for Joshua Mazur's weblog</title>
	<atom:link href="http://joshuamazur.wordpress.com/comments/feed/" rel="self" type="application/rss+xml" />
	<link>http://joshuamazur.wordpress.com</link>
	<description>The thoughts and feelings of a Free-Lance Composer</description>
	<lastBuildDate>Mon, 20 Oct 2008 03:46:09 +0000</lastBuildDate>
	<generator>http://wordpress.com/</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>Comment on The Preperation of Scores and Parts by Ted Greaves</title>
		<link>http://joshuamazur.wordpress.com/2008/03/30/the-preperation-of-scores-and-parts/#comment-14</link>
		<dc:creator>Ted Greaves</dc:creator>
		<pubDate>Mon, 20 Oct 2008 03:46:09 +0000</pubDate>
		<guid isPermaLink="false">http://joshuamazur.wordpress.com/?p=15#comment-14</guid>
		<description>Brilliant , brilliant, brilliant. Why couldn&#039;t Beethoven&#039;s publisher have read this before they set up all the extremely long rests with no bar numbers?</description>
		<content:encoded><![CDATA[<p>Brilliant , brilliant, brilliant. Why couldn&#8217;t Beethoven&#8217;s publisher have read this before they set up all the extremely long rests with no bar numbers?</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on The Wagner Tuba: The Unappreciated Wonder of the Orchestra. by Ted Greaves</title>
		<link>http://joshuamazur.wordpress.com/2008/02/25/the-wagner-tuba-the-unappreciated-wonder-of-the-orchestra/#comment-13</link>
		<dc:creator>Ted Greaves</dc:creator>
		<pubDate>Mon, 20 Oct 2008 03:29:24 +0000</pubDate>
		<guid isPermaLink="false">http://joshuamazur.wordpress.com/?p=6#comment-13</guid>
		<description>You might be interested in a new book by William Melton. &quot;The Wagner Tuba; a History.&quot; Published by Ebenos edition. He clearly states that the Wagner Tuba is used in many many Hollywood scores. When it comes to paying professional musicians, scoring for Wagner Tubas increases the cost of a performance. If cost is not object then that is not a factor.</description>
		<content:encoded><![CDATA[<p>You might be interested in a new book by William Melton. &#8220;The Wagner Tuba; a History.&#8221; Published by Ebenos edition. He clearly states that the Wagner Tuba is used in many many Hollywood scores. When it comes to paying professional musicians, scoring for Wagner Tubas increases the cost of a performance. If cost is not object then that is not a factor.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on The Wagner Tuba: More Resistance than I thought! by Ted Greaves</title>
		<link>http://joshuamazur.wordpress.com/2008/02/28/the-wagner-tuba-more-resistance-than-i-thought/#comment-12</link>
		<dc:creator>Ted Greaves</dc:creator>
		<pubDate>Mon, 20 Oct 2008 03:24:58 +0000</pubDate>
		<guid isPermaLink="false">http://joshuamazur.wordpress.com/?p=9#comment-12</guid>
		<description>Joshua, I believe the reason that the Wagner Tuba is not played more is because it does not have much solo music written for it and they are so damned expensive. A good one from Europe costs $8000. Ouch ouch ouch ouch ouch. Takes all the fun out of playing it. In terms of playability. Ha, it is easier to play than the French Horn. Less resistance and the high range is easier too. The intonation problems were probably with older instruments. The new horns should tune beautifully. I use a system prescribed by Vern Reynolds formerly of Eastman. So people don&#039;t play them because they cost too much and they are not readily available and there are not too many parts for them. I am working on all of these problems. Once they are solved, if it still does not take off then there is really no excuse.</description>
		<content:encoded><![CDATA[<p>Joshua, I believe the reason that the Wagner Tuba is not played more is because it does not have much solo music written for it and they are so damned expensive. A good one from Europe costs $8000. Ouch ouch ouch ouch ouch. Takes all the fun out of playing it. In terms of playability. Ha, it is easier to play than the French Horn. Less resistance and the high range is easier too. The intonation problems were probably with older instruments. The new horns should tune beautifully. I use a system prescribed by Vern Reynolds formerly of Eastman. So people don&#8217;t play them because they cost too much and they are not readily available and there are not too many parts for them. I am working on all of these problems. Once they are solved, if it still does not take off then there is really no excuse.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Gorecki: Symphony #3, &#8220;The Symphony of Sorrowful Songs&#8221; by Kathy Lustila</title>
		<link>http://joshuamazur.wordpress.com/2008/02/29/gorecki-symphony-3-the-symphony-of-sorrowful-songs/#comment-6</link>
		<dc:creator>Kathy Lustila</dc:creator>
		<pubDate>Wed, 26 Mar 2008 14:53:41 +0000</pubDate>
		<guid isPermaLink="false">http://joshuamazur.wordpress.com/?p=13#comment-6</guid>
		<description>Yikes~! Not sure I want to listen if it caused you so much pain! Love reading your thoughts! I expect big things of you and for you as you head out for higher levels of education. You&#039;re a good kid with great talent. Kathy </description>
		<content:encoded><![CDATA[<p>Yikes~! Not sure I want to listen if it caused you so much pain! Love reading your thoughts! I expect big things of you and for you as you head out for higher levels of education. You&#8217;re a good kid with great talent. Kathy</p>
]]></content:encoded>
	</item>
</channel>
</rss>
